Showing posts with label biography. Show all posts
Showing posts with label biography. Show all posts

Tuesday, December 11, 2012

Life of Philip Webb

Philip Webb in 1873
Philip Webb (1831-1915) was born in Oxford to a family of eleven children.

When Philip Webb was eleven years old his father, a physician, passed away. Consequently Webb had little choice but to abandon his aspirations to become a fine artist and pursue a career as an architect . In 1854, Webb was hired as chief assistant at a firm in Oxford, this was also the place where he met his life-long friend and client of the Red House, William Morris.

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Red Barns House
        Philip Webb met William Morris in 1856; the two would be life-long collaborators from that point on.  They started to work together on design projects due to their common "anti-industrial" mind-set that was greatly influenced by the writings of John Ruskin.  Along with architecture Webb became well known for his handiwork in stained glass, hand-painted glass, tile, carvings, furniture, wallpaper, carpets and tapestry. Webb started his own architectural practice in 1858 when Morris and himself started design for The Red House.  Webb became later known for his unconventional country houses that were unpretentious and informal.  He is also well known for designing the Red Barns House in 1868 and the Rounton Grange in 1870.  In 1877 Webb and Morris founded the "Society for the Protection of Ancient Buildings."


Ophelia by John Everett Milliais
         The architect's most apparent influences apart from Gothic Architecture and The Gothic Revival are the works of the Pre-Raphaelite Brotherhood. The Brotherhood was a secret society that helped to revitalize painting in Britain.  They took inspiration from early renaissance paintings, particularly from a group of painters called the "Primitives" who predated Raphael. The writings of John Ruskin, the most prominent art critic of the Victorian era, also guided their philosophy. The group insisted that paintings must be done by direct observation of nature.  The Painting Ophelia was painted by John Everett Milliais, a member of the Brotherhood.  Millias spent four months outside painting the background alone. This purist approach and love of work and craft in balance with art and design is what lead to the ideals behind The Red House and the beginning of the Arts and Crafts movement.

In 1858, Webb took on his first design commission to envision a family home for his good friend, William Morris, who was about to get married. The Red House was to be the first residential building of Modern Gothic, and its layout concept, such as the idea of having individual passageways leading up to the rooms, was later developed into the core characteristic in typical architecture of the Arts and Crafts movement.

In 1877, Webb became actively involved in the preservation work of old churches, thus becoming a key figure in the history of building conservation. The architect had gradually stopped working by the year of 1899 and enjoyed a peaceful retirement in Crawley, Sussex. Today, many examples of Webb's furniture design is owned and preserved by the National Trust.


Morris' friend and co-worker at his firm, Dante Gabriel Rossetti was a part of



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Citation:

"Webb, Philip Speakman." Oxford DNB Article. Accessed December 11, 2012. http://www.oxforddnb.com/
           view/article/36801?docPos=1.



"Philip Speakman Webb by Charles Fairfax Murray." Pre Raphaelite Art (blog). Accessed December 11,
           2012. http://preraphaelitepaintings.blogspot.ca/2009/09/
           philip-speakman-webb-by-charles-fairfax.html.


"Red Barns House, Kirkleatham Road, Redcar, Redcar and Cleveland." Heritage Explorer. Accessed
          December 11, 2012. http://www.heritage-explorer.co.uk/web/he/
          searchdetail.aspx?id=7711&crit=bell.


Sunday, December 9, 2012

The Life of William Morris




William Morris was a renowned poet, designer, weaver, and manufacturer of the late 19th Century. His work set a precedent for the Arts & Crafts Movement. He was born on March 24th, 1834 to an upper-middle class family at Elm House. Elm House was a country house in Walthamstow, East London, on the edge of Epping forest where Morris would explore as a child. William Morris Sr. was a successful city stockbroker who was able to afford the young Morris a privileged upbringing. In his childhood, William Morris became impassioned with the medieval era in reading knight's tales and from his time in church. He carried this passion with him his entire life. At the age of 17 he went with his family to the Great Exhibition of London (1851), an enormous and densely packed display of the works of industrial production and ingenuity. Perturbed by the mentality and lack of craft he witnessed there, Morris refused to continue touring the exhibits, which he said were only wonderful in that they were "wonderfully ugly".




In 1853 Morris departed to Oxford to study theology at Exeter College, vaguely intending to become a high church clergymen. At Exeter College, Morris met Edward Burne-Jones, who would become a painter, designer, and life-long friend to Morris. At Oxford Morris diverted from his idealistic notions of working for social reform through church ministry and began to attend to artistic pursuits such as writing poems and stories. After spending a summer vacation touring Northern France with Burne-Jones, visiting 9 cathedrals and 24 churches, Morris decided he would study architecture.

Morris and Burne-Jones moved to London where they befriended and joined the circle of Pre-Raphaelite painter and poet Dante Gabriel Rosetti. In 1856 Morris worked in the office of Gothic Revival architect George Edmund Street. In Street's office he met Philip Webb who had been in Street's office since 1854.

Rosetti met Jane Morris, a local girl from a very poor family, who was attending a play at the Drury Lane Theatre Company with her sister. Rosetti hired Jane as one of his models. From this connection Jane went on to model for Morris to whom she would be engaged. Their union provided the impetus for the Red House which Morris designed with Webb. As a model Jane would come to be regarded as the embodiment of the Pre-Raphaelite ideal of beauty. In the course of her married life she had multiple affairs including the longest with Rosetti. Jane confesses to never have been in love with Morris. At the time of Morris' proposal she was 18, in awe of his admiration and the promise of a comfortable life for herself and her family, she accepted. On April 26th, 1859 she and Morris were married.






During a river trip with friends on the 21st of August 1858, Morris and Webb began a discussion that would lead to the Red House. On the back of one of their maps, Webb made a preliminary sketch of the staircase in the Red House. By May of 1859, Webb had completed the designs for the Red House. In June of 1860 Morris and Jane Moved into the Red House in Bexleyheath Kent. The Red House fostered the development of Morris & Co. which began when Morris could not find furniture to suit his home, and began to craft his own. At the Red House Morris wrote "The Earthly Paradise", a volume of poetry which would quickly make him famous. In 1856, Morris moved to Kelmscott Manor, the headquarters of Morris & Co., since he could not make the commute to work to the Red House when he was sick.

Social and political convictions merged with aesthetic issues for Morris; in the late 1870's, he became involved with the socialist cause. To Morris, his role as a social reformer was a clear continuation of his work as an arts and crafts designer and producer.

Morris died peacefully, on October 3rd 1986 at Kelmscott Manor, following a long bout of illness. His physician declared his cause of death as "simply being William Morris and having done more work than most ten men".

Jane Morris commissioned Webb to design The Morris Cottages which were completed in 1902 in memory of her former husband.






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Citation:
"William Morris – Artist, Philosopher, Poet and Designer." William Morris. 
     http://www.william-morris.co.uk/Morris%20History.pdf. 



"William Morris: a brief biography." Literary Places. Accessed December 11, 2012. 
     http://www.literaryplaces.co.uk/?page_id=1177. 



Harvey, Charles. "William Morris: Design and Enterprise in Victorian Britain." 
     http://books.google.ca/ 
     books?id=ujXpAAAAIAAJ&pg=PA6&lpg=PA6&dq=emma+shelton+william+morris&source=bl&ots=VB4gl4qbFi&sig=ruQt 
     OdVuMf5JtT3oRv543xSQgBc&hl=en&sa=X&ei=T9jEUJzbMeLkygGuw4GgBg&ved=0CEUQ6AEwBA#v=onepage&q=emma%20shelt 
     on%20william%20morris&f=false. 



"William Morris - Life and painting career." Archives and Rare Books Library. Accessed December 9, 
     2012. http://www.libraries.uc.edu/libraries/arb/exhibits/William%20Morris/life_career.html. 



"William Morris and his circle." Harry Ransom Center. Accessed December 8, 2012. 
     http://www.hrc.utexas.edu/exhibitions/web/morris/.